Book Dee Mount for a portfolio scene. A fit call, one production day in Tampa, and a graded scene for your reel in two weeks. Or see how one 8-hour shoot became 10+ finished pieces.
Free breakdown of how one 8-hour testimonial shoot became 10+ finished pieces: long-form interview, social reels, email hero, vertical clips, behind-the-scenes, founder story, investor pitch, and paid-media versions. See the FitScript Still Standing case study. The Content Multiplier model, proved.
One fit call. One production day at the Tampa studio (Tampa, FL). One graded, color-matched scene for your reel, delivered in two weeks. For filmmakers and DPs who need a portfolio piece that proves their level. 2500-25000 range depending on scope and crew needs.
Dee's first feature DP credit: Ring of Fire, shot across Bali and Java with a 4-person crew, Sundance invited, mirror lighting and real locations as the primary language. Read the case study. This is the work Dee does on the hardest projects.
Professional cinematography is the difference between a frame that reads and a frame that works. Lens choice shapes what the story says. Light creates emotion. Color is the final language. Dee earned his chops on NFL broadcasts, commercial production, and the first feature. He shows up and the work is ready.
Color grading and finishing work under Dee's DP credit. Dee is certified in Dolby Vision color timing. That means the grade lives across broadcast, cinema, and streaming platforms without color shift. Your reel, your testimonial, or your feature gets the finished look it earned.
Book a fit call first. Let's talk through what you need, what Dee brings, and whether the scope and timeline line up. A fit call is free. If it works, we move to production. If it does not, you know clearly and we part ways. The Portfolio Scene or a custom project, either way we start here.
Former NFL linebacker turned cinematographer. DP on Ring of Fire, the feature now circulating Sundance. Dolby Vision certified colorist. Dee has shot commercials for Harper's Bazaar and the Williams sisters, testimonial work that converts for founders, and the kind of long-form documentary that earns festival recognition.
That is not a resume flex. It is a promise. When Dee shows up on set, the frame works. When the footage goes to post, the color is finished. When your reel ships, it reads professional because it is.
A complete scene (dialogue, blocking, three-point framing, intentional light, color grade) that stands alone in a reel. Not a clip. A scene. It proves what you can do in a shoot day with a professional DP who brings his own camera, lenses, and color finishing.
No. Dee brings Red camera, DZO Vespid lenses, lighting kit, and tripod. You bring the location, the talent, and the script. We handle the rest. If you want to bring your own rig or run parallel coverage, that is fine too.
Fourteen days from shoot day to delivery. Two weeks. Rough color pass on day 3, then final grade with any notes rolled in. That timing holds for a standard scene. Feature work or multi-day shoots adjust accordingly.
Yes. Fit call is free. Dee will ask about your script, your goal for the scene, what you need in post, and whether the scope fits the timeline and budget. If it does, you sign and we lock the shoot date. If it does not, you walk knowing why.
Yes. Dee takes on color finishing work independent of shoots. That is a separate conversation. Bring footage to the fit call and we can scope color work separately from the portfolio scene offer.
Video call or in-person at the Tampa studio. You walk through your script, Dee asks about the story and what you need, then you both decide if the project is a go. Fit calls are 30 minutes. No obligation after.
